This work constructs a “controllable space-time” that is different from the world we live in, as a phenomenon that occurs in the viewer’s perception. The basis of the work is a technology called “spatial screen. This technology uses a special rotating object and a projector to achieve stereoscopic vision with the naked eye without limiting the viewing range, inexpensively and simply. The author invented the projection principle of the “spatial screen” and has been improving it with his colleagues who specialize in stereolithography and metal processing. Specifically, the 3D model is cut into a circle toward the back and projected onto a special structure at a speed that the viewer’s eyes cannot keep up with, thereby creating a three-dimensional light. A pseudo-space-time is created by giving further temporal changes to the three-dimensional structure thus created. The monkeys dancing in space-time as a visual phenomenon ask questions such as what is time, what is space, what is mass for a three-dimensional object, what does it mean to “see”, what is the world as we perceive it, and what is existence. In addition, due to the fact that it does not limit the viewing area, it will realize the unprecedented activity of “surrounding the image with others and observing it.
This research was supported by JST, COI, and JPMJCE1308.
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This is a composite of video and time-lapse animation of a date between a couple of garbage couples. In order to express “it’s cute just by being alive”, we made the trash, which is far from cute, look like they are alive. It’s an attempt to express.
YouTube
受賞
NHK “Digital Stadium”
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Music video of Kiwi & The PapayaMangoes “Forro in Tokyo”. This video depicts Tokyo rising from a burnt field after the war and what has lived there. To visualize such a flow of time, I realized the physical effect on live-action images (still images) by plane animation, which was rarely seen in various methodic challenges in “fusion of live-actions and animations”. I aimed for perversion.
YouTube
Award
2010 ANIFEST – Teplice International Animated Film Festival 2010, Videoclip, Nominated
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A short animation that aims to make the content of a single print club tangible with the imagination of the viewer. The innocence of the gal character was plausibly directed with a disturbing motif and a nursery rhyme. It is also an experimental video showing how one material can be pulled by stuffing a lot of presentation instead of stuffing many materials.
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An attempt to re-ignite the subtle lives of the images by montage the images on portraits that have been discarded and animation, mediate them, and create stories in the viewer. As an approach different from the “function” that computer-based expressions are good at, like inputting A and returning B, the process was documented by bringing the expression into the memory of the portrait’s man and changing its circuit.
YouTube
Exhibition
MEDIA AMBITION TOKYO 2017
Award
WIRED CREATIVE HACK AWARD 2016
Grand Prix
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