By dividing the Takasu Clinic’s sound logo and assigning each sound source to a pressure sensor. Every time you go up the stairs, you hear the words “Takasu” and “Clinic”. This is an attempt to illuminate the lives of those who experience it by suddenly evoking the everyday in the midst of the extraordinary.
Exhibition
TRANS ARTS TOKYO 2015
On Japanese edition of WIRED, I produced a promotional article for HUAWEI. It’s about prototyping with the latest devices. With “HUAWEI P10 plus” is an interactive device that uses high-definition video. With “HUAWEI Media Pad M3 Lite 10”, applications can be used in a high quality The performance of the sound system is performed, and the performance of each is verified from a manufacturing perspective I did.
A camera installed above the monitor zooms in on the recognised face with the sound effect “Kaa!” with a sound effect, the device zooms in and forces the promise on the experiencer. The forcing mechanism is an attention-grabbing look by someone. At the same time, the zoom-in in cinematography is a message to the viewer to “pay attention”, thus forcing the attention of others present in the scene as well. The sudden manifestation of self and otherness unconditionally affirms the life of the experiencer.
Exhibition
Hikaru Doubutsuen 2019
MEDIA AMBITION TOKYO 2017
After Five Government
Permanent Exhibition
Mask shop OMOTE
Miraikan Shop (終了しました)
Award
19th Japan Media Art Festival
Entertainment Division, Jury Selection
Essentially, the human body is a biotope that supports life activities. However, human beings become unbearable and put a burden on their own bodies, destroying the ecosystems that compose themselves. This system is a mechanism to minimally experience the limits of the spirit and the body by applying a meaningless physical load to Karaoke, which is the release of the spirit. The pain of the thighs and the willingness to sing out highlight the meaninglessness of meaning.
An attempt to re-ignite the subtle lives of the images by montage the images on portraits that have been discarded and animation, mediate them, and create stories in the viewer. As an approach different from the “function” that computer-based expressions are good at, like inputting A and returning B, the process was documented by bringing the expression into the memory of the portrait’s man and changing its circuit.
Exhibition
MEDIA AMBITION TOKYO 2017
